• A look at Rahsaan Roland Kirk’s to “rescue black classical music from certain oblivion and thrust it into the consciousness of the unwitting public.” 

  • In 1961 Metro-Goldwyn-Mayer had purchased Verve Records from Norman Granz. Creed Taylor became the new executive director, and made a number of crucial policy decisions, including the sacking of the majority of Verve’s contract artists. One of a handful to survive was

  •  This edition features the “late Columbia” era of master designer Alex Steinweiss

  • Klein’s pupil in the studio seemed to be trying to erase his presence through sheer aggression. Had Mozart started that way? Till didn’t think so.

  • The Jazz and People's Movement
  • Great Encounters: In the studio with Bill Evans and Stan Getz
  • Cover Stories with Paul Morris, Vol. 12
  • "Till's Piano Lesson" -- Short Fiction Contest-winning story
bud2 Literature » Poetry

“Lake Bud,” a poem by Ishmael Reed

Lake Merritt is Bud Powell’s piano
The sun tingles its waters
Snuff-jawed pelicans descend
tumbling over each other like
Bud’s hands playing Tea for Two
or Two for Tea

Big Mac Containers, tortilla chip, Baby Ruth
wrappers, bloated dead cats, milkshake
cups, and automobile tires
[…] Continue reading »

kamasi1 Uncategorized

The latest West Coast jazz scene

In Sunday’s New York Times, music critic Ben Ratliff’s feature entitled “Los Angeles Jazz With Kamasi Washington and Others” addresses a snapshot of the current West Coast scene, with an emphasis on Washington’s group and its triple-disc recording titled “The Epic.”

In the piece, Ratliff reminds us of the aesthetic divide that has long existed between New York (“the center of the jazz-performance business”) and Los Angeles – specifically the “temper of life” there, where there is a “possibility for working in a less-pressured and lifelong artistic community, the artist’s sense of security against New York hustle.” From this comes a sense of artistic freedom perhaps not found in the […] Continue reading »

booker1 Interviews » Conversations with Gary Giddins

Booker Ervin and other “underrated” saxophonists

I got caught up into listening to Booker Ervin this morning, and was reminded about my first experience listening to him as a leader — on a big band session he led called Booker ‘n’ Brass, a 1967 Pacific Jazz recording that has found its way to my turntable for the first time in probably 25 years. Forty-eight years since its recording, Ervin’s crisp attack over the top of the stalwart Teddy Edwards-led band on songs like “St. Louis Blues,” “Baltimore Oriole,” and “Harlem Nocturne” sounds as good as it did when I first discovered this record in a Portland used record shop for $2.99 , c. 1980.

Getting into Ervin again reminds me of a conversation I hosted in January, 2004, with the most eminent jazz critic of his era, Gary Giddins, who shared his thoughts with me in a three part series regarding the jazz musicians he deemed as being “underrated.” Here is the part where he talks about […] Continue reading »

jordan2 Quiz Show » Jazz History Quiz

Jazz History Quiz #71

While he had a long career in jazz, including stints with, among others, Coleman Hawkins, Roy Eldridge, Sonny Stitt and Stan Getz, he will always be remembered primarily as the pianist in Charlie Parker’s classic 1947 quintet. Who is he?

Duke Jordan

Lennie Tristano

Mel Powell

Bud Powell

Al Haig

George Wallington

Hampton Hawes

Go to the next page for the answer!
[…] Continue reading »

kirk2 Uncategorized

The Jazz and People’s Movement

In 1969, in the midst of rock music’s ascent and the social protests that effectively changed the way we looked at war, race and feminism, the great jazz musician Rahsaan Roland Kirk emerged as the leader of “The Jazz and People’s Movement,” a movement to, as John Kruth, author of Bright Moments: The Life and Legacy of Rahsaan Roland Kirk describes it, “rescue black classical music from certain oblivion and thrust it into the consciousness of the unwitting public.” Part of their plan was to “disrupt the prime time airwaves for the sake of the music they dearly loved and believe in,” and they were largely successful at it, disrupting the shows of Johnny Carson, Dick Cavett and Merv Griffin. Their tact was to […] Continue reading »